Two States:
This is a straight Chetan Bhagat – meet Dharma Production product. In fact when
you are reading the novel (?) – read Screenplay, you know it is designed for
Bollywood. From Sarat Chandra to Chetan Bhagat it is not just the travel of our
literature but also the travail of our cinema. So, no Gaban, Godan – Two States
in its place.
Comedy ya tragedy.. like the protagonist asks in his campus calling the
question is about how successful the film maker is in taking Chetan Bhagat (the
new Gulshan Nanda) forward. Abhishek Varman sure succeeds in capturing the
energy and spirit. If the fizz is something that lasts only a while, it is not
the fault of the film maker.
Thematically it is a revisit of the hackneyed script stacked on the rack: two
youngsters from the opposite sides of the Vindhyas fall in love. It sounds a
tad archaic that a huge issue is made out of this. In terms of the targeted
audience it looks timed. The boy meet girl is at the IIM campus. The Tambram
meets Punjab lad love story has a broad line dividing the Delhi Chennai divide.
Mom and Dad down South are unwilling to have a Punjabi Daamad. The estranged
Punjabi couple also do not enjoy a Madrasi Bahu. The respective parents refuse
to cross the cultural divide. Love does not see it exists. DDLJ came up with
the changed paradigm – cajole before you revolt. Focused Youngistan is not
about Rajendra Kumar and tears. It is also not about love triangles. A part bio
narration from the life of the author, the film is about how the North South
divide makes for a challenge in matrimony – leave alone national politics!!
However the gloss in the content is for the Nacho consuming, multiplex urban
audience (who also read Chetan Bhagat!) and is a far (non) cry from Ek Duje Ke
Liye. The thought also proceeds on the premise that matrimony requires its
players to be emotionally manipulative.
The protagonists: Ananya Swaminathan (Alia Bhatt) and Krish Malhotra (Arjun
Kapoor) fall in love and spend 149 minutes of screen time to smooch, make love
and convince their parents that they are made for each other and that both
families must be present for the keepsake large family pic. They both love
their respective families, love each other and behave like adolescent kids
rather than IIM grads. Who said they are any different when it comes to love.
With the feuding families nit picking on trivial matters and the popcorn over,
you hope the two just elope as suggested a couple of times in the script.
Tucked into this is also an anti dowry message and how self respecting guys
should put their foot down.
What the film lacks is a seeming sense of purpose. Come even the four year old
kid knows by now that the couple are doomed to marry. They would tell you that
all the seeming drama notwithstanding the head couple are sure to make it. You
simply don’t need 150 minutes of today’s generation to talk about Punjab Vs
Chennai. We all know about Kings XI Punjab and Chennai Super Kings. We all know
that the Punjabi household likes it paranthas and paneer, while the Madrasi
loves his sambar and carnatic music.
What however goes well for the movie is that the campus scenes are not hurting
on you. For once the prime players are not everything that is happening at the
campus. The cast is serious and add a high level of credibility to the script.
Amrita Singh and Revathi playing the Moms from Punjab and Chennai are good.
Never over stating yet convincing. Ronit Roy is the dad with an angst and he
performs his role very well.
Alia Bhatt is sure getting noticed. One thought that after Highway her acting
career has registered a upward movement. Unfortunately no. While in the lighter
moments she is good, she fails to add punch in the more dramatic moments of the
film. More of Soni Razdan than Pooja Bhatt. The film however truly belongs to
Arjun Kapoor. There can be no further debate on whether the lad has talent.
Seemingly very popular with the young generation of gals, the guy as the
Punjabi lad with a heart in the right place is amazing. He leads you through
moments of fun that guys have, through the challenges they face to the
emotional trauma they can handle. Nearly picture perfect. His dead pan
expressions has the young ones drooling .
Arjun Kapoor clearly signals that he is the next lad to be taken seriously.
Watch the film for his performance. Otherwise the film is Karan Johar financed
Kings XI Punjab Vs Chenai Super Kings with out any allegations of match fixing
– it is about how to fix the match.
L. Ravichander
Stars: 2 and half.
_ Yawn filled
+ Arjun Kapoor.