Deceit, intrigue, conspiracy, guns
smoke dirt and constant one upmanship all ingredients of Milan Lutheria’s world
is in full blast here and again all this appears in style and with the same
taut narrative. Taking us back to the 1970s and the emergency in particular the
film maker is not just caught up in the said time wrap but also associates the
film with a style that is perhaps just as dated.
A Sanjay Gandhi look alike makes moves that are shunned by Gitanjali Devi
(Illeana). The Prince does not take this lightly and decides to avenge the refusal.
He gets a senior army official (Denzil Smith – a dignified performance) to
ensure that the palace of the Princesses is searched. She is arrested in the
wake of the emergency and at a time when the makers and the law were one and
the same, her wealth is sought to be taken away. In jail, she master minds a
heist of her own wealth even as the army officer gets the assistance of Seher
Singh (Vidyut Jamwal) to ensure the entire wealth is smuggled from Rajasthan to
Delhi without public knowledge. Gitanjali recruits her old reliable Man Friday
Bhawani (Ajay Devgn) who in turn gets in his team the local rogue Daliya (Emran
Hashmi) the gun trotting lady Sanjana (Esha Gupta) and the lock breaker
maverick Tikla (Sanjay Misra – flawless as usual). Two conspiratorial plans
unfurl. Is it just that the two parallel intrigues cross lines and get caught
in the cross fire? That would be too simple in the Lutheria world. So, there is
more to it and that keeps you on the edge of the seat – not so much out of
curiosity as out of interest on the depravity of the human kind.
The battle lines are drawn and the heist gets operational. The narrative also
moves to and fro and permitting Gitanjali to be in the centre of the entire
activity. It is denominated with the political happening of the times. You wait
for over two hours and predictable if dramatic twists and turns and see who
wins and who does not. It is about how they win and not who in our cinema. On
the way, we are exposed to further deceit by the principal characters and the
reasons justifying most of it.
This Lutheria outing would do itself a world of good if it had cut off at least
20 minutes of its 136 minutes. For instance, the chase scene through crowded
streets is no predictable that a line stating that it may be taken as delivered
may well be placed on screen. Then there is this long drawn torture scenes
which reveal how stuck the narrative is with templates of. You just don’t yawn,
you look for askance. This softens the narrative punch and robs the film of its
credibility.
Ajay Devgn is given the role he can perform in his sleep. Emran Hashmi is live
wire. Illeana is stiff justifying royalty. For all the interesting twists and
turns and some amazing cinematography it is the length and the predictability
of the script that is its undoing. The Baadshaho end up looking normal. Better
scripted they could well have justified the title.
L. Ravichander.